Plaster and Lime Wash
Part of Permanent Shelter
Lime has been used to finish walls for at least 10,000 years. Limewash is the simplest form — slaked lime and water, brushed onto a wall. It brightens interiors, kills bacteria and mold, seals porous surfaces, and costs nothing but labor once you can produce lime. Understanding the difference between lime plaster and limewash, and when to use each, lets you finish any wall surface to a standard that rivals modern construction.
What Lime Is
Lime starts as limestone — calcium carbonate (CaCO3), one of the most common rocks on Earth. Chalk, seashells, coral, and marble are also calcium carbonate.
The transformation chain:
| Stage | Name | Chemical | How You Get It |
|---|---|---|---|
| 1 | Limestone | CaCO3 | Gather from outcrops, riverbeds, beaches |
| 2 | Quicklime | CaO | Burn limestone at 900degC+ for 24-48 hours |
| 3 | Slaked lime (lime putty) | Ca(OH)2 | Add water to quicklime (exothermic reaction) |
| 4 | Limewash | Ca(OH)2 in water | Thin lime putty with water |
| 5 | Hardened lime | CaCO3 | Limewash absorbs CO2 from air, returns to limestone |
The cycle is elegant: limestone becomes quicklime when heated, becomes lime putty when mixed with water, becomes limewash when thinned, and becomes limestone again when it dries and absorbs carbon dioxide. The final product is literally a thin layer of stone bonded to your wall.
Producing Slaked Lime
Step 1 — Burn Limestone to Make Quicklime
Build a simple updraft kiln: stack limestone chunks over a fire pit, surround with a stone or earth wall to contain heat. Burn hot hardwood for 24-48 hours continuously. You need temperatures above 900degC — the fire should be white-hot, not just red.
Signs the limestone is done:
- Pieces are lighter in weight (they have lost CO2)
- They have a chalky, crumbly texture
- They may have changed color (whiter or slightly yellow)
Quicklime is Extremely Dangerous
Quicklime reacts violently with water, including sweat. It generates intense heat on contact with moisture — enough to cause severe chemical burns. Handle only with thick dry coverings on your hands. Store in a dry, covered, waterproof container. Keep away from children and animals.
Step 2 — Slake the Quicklime
Slaking is the process of adding water to quicklime to produce lime putty.
- Dig a pit or use a large container (wooden trough, stone basin). Do NOT use metal — the heat can warp or melt thin metal.
- Place quicklime chunks in the pit.
- Slowly add water. The reaction is violent — the mixture will hiss, steam, bubble, and reach near-boiling temperatures. Stand back. Add water gradually, stirring with a long wooden pole.
- Continue adding water until the reaction stops and you have a thick, creamy paste — this is lime putty.
- Cover the putty with 5 cm of water to prevent it from drying and hardening.
Step 3 — Age the Lime Putty
Fresh lime putty works, but aged lime putty works better. Let it sit, covered with water, for at least 2 weeks. Traditional builders aged lime putty for months or even years. The longer it ages, the finer the particles become, and the smoother and more workable the final product.
Store in covered pits or sealed containers. Lime putty stored under water keeps indefinitely.
Test Your Lime
Good lime putty feels smooth and creamy, like thick yogurt. If it feels gritty, it either was not burned long enough (unburned limestone chunks remain) or has not aged long enough. Strain gritty putty through a coarse cloth to remove chunks.
Limewash: Preparation and Application
Limewash is simply lime putty thinned with water to a brushable consistency — about the thickness of whole milk.
Mixing
- Start with a bucket of aged lime putty
- Add water gradually, stirring constantly
- Target consistency: thin enough to drip steadily from a lifted brush, but not watery-thin
- Strain the mixture through cloth to remove lumps and grit — lumps cause streaks
Application Technique
Limewash is applied in thin coats — not thick like paint. Each coat looks nearly transparent when wet. The buildup comes from multiple layers.
- Dampen the wall with water first. Dry walls absorb the water from limewash before it can bond properly.
- Apply with a wide, soft brush — a bundle of soft plant fibers, animal hair, or a cloth pad tied to a stick. Work in overlapping, cross-hatched strokes (horizontal pass, then vertical pass).
- First coat: Apply thin. It will look patchy and translucent. This is correct.
- Wait 24 hours for each coat to carbonate (absorb CO2 and harden to calcium carbonate).
- Dampen the previous coat lightly before applying the next.
- Apply 3-5 coats minimum for a solid, opaque white finish. Each coat adds roughly 0.1 mm of thickness.
Do Not Apply in Direct Sun or Heat
Limewash that dries too fast does not have time to carbonate properly. It chalks, powders, and flakes off. Apply in shade, on overcast days, or in the morning/evening. Keep the wall damp between coats.
What Limewash Does
| Benefit | How It Works |
|---|---|
| Brightens interiors | Pure white reflects up to 85% of available light |
| Kills mold and bacteria | High pH (12-13 when wet) is antimicrobial |
| Seals porous walls | Fills micro-pores in clay, cob, and stone surfaces |
| Breathes | Unlike modern paint, limewash is vapor-permeable — moisture passes through without trapping it in the wall |
| Self-healing | Minor cracks fill with dissolved lime carried by rainwater, which re-carbonates |
| Cheap and renewable | Only requires lime and water |
Natural Pigments for Color
Limewash accepts natural pigments to produce colored walls. Mix dry pigment into the limewash before application — never add more than 10% pigment by volume or the lime will not bind properly.
| Pigment | Color | Source |
|---|---|---|
| Yellow ochre | Warm yellow to golden | Iron-rich clay deposits |
| Red ochre | Terracotta red to rust | Iron oxide-rich clay or stone |
| Burnt umber | Rich brown | Heat yellow ochre in a fire |
| Charcoal powder | Gray to soft black | Grind hardwood charcoal fine |
| Copper carbonate | Blue-green | Verdigris from weathered copper, or malachite |
| Iron sulfate | Green-gray | Copperas, found near iron deposits |
Always Test Color Wet and Dry
Pigmented limewash dries 2-3 shades lighter than it looks when wet. Make a test patch on a scrap of plaster and let it dry completely before committing to a whole wall. Apply 3 coats to the test patch — the color deepens with each layer.
Lime Plaster vs Limewash
These are different products for different purposes. Understanding when to use each saves material and produces better results.
| Property | Lime Plaster | Limewash |
|---|---|---|
| Composition | 1 part lime putty + 3 parts sand | Lime putty + water (no sand) |
| Thickness per coat | 5-10 mm | 0.05-0.1 mm |
| Purpose | Structural surface — smooths rough walls, fills gaps, creates a flat plane | Decorative finish — color, brightness, antimicrobial protection |
| Number of coats | 2-3 | 3-5+ |
| Application | Troweled or hand-pressed | Brushed |
| Drying time between coats | 24-48 hours | 24 hours |
| Can be applied to | Any masonry wall (stone, brick, cob, adobe) | Any wall — including over lime plaster, clay plaster, or directly on stone |
| Structural strength | Yes — creates a hard shell | No — too thin to add strength |
Typical Workflow
For the best wall finish, use both:
- Base coat of lime plaster (8-10 mm) — fills rough spots, creates a flat surface. Score with scratches before it sets.
- Finish coat of lime plaster (3-5 mm) — smooth, fine-grained surface. Use finer sand (sifted through cloth).
- Limewash (3-5 coats) — final finish for brightness, color, and antimicrobial protection.
On walls that are already reasonably smooth (well-finished adobe, smooth stone), you can skip plaster entirely and apply limewash directly.
Compatibility with Wall Types
| Wall Material | Lime Plaster | Limewash Directly | Notes |
|---|---|---|---|
| Cob | Yes | Yes (if smooth enough) | Dampen cob well before applying; lime bonds excellently to clay |
| Adobe brick | Yes | Yes | Fill mortar joints with plaster first for a flat surface |
| Stone (mortared) | Yes | Possible but rough | Plaster first for best results; limewash alone follows stone texture |
| Stone (dry stack) | Yes (with mesh or heavy scoring) | No — too rough | Apply a thick scratch coat first |
| Wattle and daub | Yes | Yes (over existing daub) | Standard combination throughout medieval Europe |
| Timber | No — lime does not bond well to wood | No | Use clay or mud plaster on timber walls, then limewash over that |
Reapplication Schedule
Limewash is not permanent. It gradually wears from rain, abrasion, and UV exposure. Plan for reapplication:
- Interior walls: Every 2-5 years (longer in dry climates, shorter if walls get splashed or scrubbed)
- Exterior walls: Every 1-3 years depending on weather exposure
- Reapplication is fast: Dampen the wall, brush on 2-3 fresh coats. The new limewash bonds chemically to the old, so no scraping or preparation is needed.
Each reapplication adds another fraction of a millimeter of stone-hard calcium carbonate. Over decades, limewashed buildings develop a thick, durable shell of accumulated layers — this is why ancient limewashed buildings sometimes have walls that appear almost glazed.
Key Takeaways
- Limewash is slaked lime plus water — thin as milk, applied in multiple translucent coats that harden to solid calcium carbonate.
- Apply thin coats (3-5 minimum) on damp walls, in shade, with 24 hours between coats. Thick or fast-dried coats flake.
- Lime plaster (lime + sand) goes under limewash — it creates the flat surface; limewash provides the finish.
- Age your lime putty at least 2 weeks — longer is better. Store under water indefinitely.
- Quicklime is dangerous — handle with thick dry hand coverings, add water slowly, stand back from the violent reaction.
- Natural pigments (ochre, charcoal, umber) tint limewash; never exceed 10% pigment by volume.
- Limewash breathes — unlike modern paint, it lets moisture vapor pass through, preventing trapped dampness that rots walls.
- Reapply every 1-5 years — fast, cheap, and each layer strengthens the wall surface permanently.